Holy Magic

First, I checked their twitter feed, and their facebook page. Even though I knew I was going to go to the Easter Vigil service, regardless of their social media sites. But St. Andrew's Episcopal's twitter and facebook pages suggested I would be in the right place. Twitter followers- 11. Facebook fans- 53. Oh wait, that was before I joined. 52 then. No bells, no whistles, no Starbucks in the fellowship hall. Just right.

I've tried an Episcopal service once before. It was a bit of a comedy of errors. Well I was a comedy of errors, the service was lovely. It was me, Matt and my brother Alex in Austin on Christmas eve. We found an 11pm service in a close in suburb and filed in moments before it began. The sanctuary was empty, so we found a seat in the middle of a pew close to the front. Since it was empty I hadn't thought to get an "aisle seat" in the case I needed to slip out to the restroom. I was 6 weeks pregnant and little trips to the restroom were a frequent occurence. Seconds before 11pm hundreds of people made their way into the sanctuary, closing us into the front pew on either side.

Long story short I got up, thus getting the whole pew up 3 times before realizing that it probably wasn't going to work out between me and the Episcopal church. At least not that night. Not to mention the shared chalice communion thing. I was a bit of a germ-o-phobe, being pregnant and all.

My brother had felt compelled to announce at a hushed moment in the liturgy, that I was pregnant. Perhaps he felt he should explain why I kept running out of the service. The liturgy itself was confusing to me. I hadn't yet connected the read thread running between my history as a half Catholic half Jew and my present as an evangelical Christian. I hadn't yet seen the beauty of the ritual, as I seem to be starting to do now.

I have always, always wanted to go to midnight mass. All my life. Every Christmas eve my mother would promise to wake me up to take me to midnight mass. Her descriptions of the candlelight, and the singing, and the glamour of the late hour, especially for a kid; it all seemed magical. It never happened and I can't really blame her. Being a mother myself, I cannot imagine waking a child sleeping soundly on any night, let alone Christmas Eve. As an adult, and as a Christian, I have occasionally given thought again to midnight mass, but I have yet to go.

Last night I caught a glimpse of that magic. To steal a phrase from poet Luci Shaw, "holy magic." A time and a place where the veil between heaven and earth is particularly gossamer, and it if you pay attention you might catch a glimpse of an Archangel or two.

The Easter vigil service at St. Andrew's Episcopal started, for me, with a brisk walk through the musty back entrance adjoining the parking lot. I passed a tiny room with a beautiful stained glass window that appeared to be a children's Sunday school room. I encountered a cheerful woman in a pink pantsuit who loaded me up with a bell, a candle and a 20 page bulletin to take into the service. I followed a mother and her two middle schoolers along a short outdoor path to the front of the church where another sweet lady in a pantsuit welcomed us and held open the heavy, red wood doors. I nearly fell into a gaggle of white clad priests preparing in the foyer (foyer? probably not the right word) for the service.

I tried to blend. Looked straight ahead and followed the mom to a pew a few rows from the back. I immediately wished I had looked more closely at the priests.

The church was dark except for a few chandeliers on dimmers. The altar was completely dark. There was a bit of light coming into the stained glass windows from outside as dusk settled in. The church, meant to simulate Jesus' tomb, wasn't exactly tomb-like, but it was dark and it was somber. Just what I came for.

Just then the lead priest came to the front of the church and gave us a brief rundown on what to expect. She welcomed us to "this most holy of nights" and sang a little something, cantor-like, before gliding to the back of the church.

Behind me the white robed priests were gathered around a low fire, smoldering in some sort of bowl. They were adding what looked like sticks of incense to kindle a fire that would light the candles for the processional.

The number of celebrants, or priests and singers, about matched the number of congregants. But instead of feeling sad that there weren't more people there, I felt grateful that I was getting this gorgeous service in this gorgeous little church, almost all to myself.

Seeing them leaning around the flame, lighting candles, I was struck by how druid it all seemed. The bunch of them, men and women, young and old, looked otherworldly in the darkened church. I knew I was in the right place. I almost wanted to text my husband "this is awesome" but I refrained. It felt as though my phone must have not been invented yet, as I'd traveled back in time to an underground church in some distant country, in a long ago era. The magic and mystery of what we're keeping watch for, the resurrection of the One whose "pronouns we capitalize" in the words of Lauren Winner, is powerfully evident in this place.

In Mark 16 we read the account of Mary Magdelene, Salome (rhymes with Shalom) and Mary, Mother of James bringing spices and herbs to anoint the body of Jesus on Sunday morning, once the Sabbath had ended. "Who's gonna roll this stone away?" they asked one another. You can imagine the exhaustion and frustration. I love when bible characters really sound like the Jewish people they were. Like in Exodus when Moses is trying to lead the Israelites into the wilderness. "Are there no graves in Egypt?" they ask rhetorically, "that we have to die in the wilderness?" A hint of chutzpah and some sarcasm to balance the grief- a time honored tradition. In the case of the three women at the tomb, it's no different. Another rhetorical question. There wasn't anyone to roll away the stone.

When they arrived, the stone had been moved, seemingly by magic. When they dared to scuttle into the cave to prepare the body of their Lord for the grave, they found, you know the story, just the grave clothes and no Jesus. But they also found a man in a "dazzling white robe". An angel whose power and beauty and presence took their breath away. In my imagination the angels robe looked sort of like the billboards for Westheimer Lakes, a suburban home site boasting waterfront properties. Westheimer Lakes is luring Houstonians out to the 'burbs with promises of tranquil water views. This claim alone would be enough to draw the attention of landlocked Texans, but hundreds of tiny reflective disks decorated the sign, simulating, I guess sunlight on a lake. As they caught the sunlight just so, the whole billboard shimmered wildly. And it was almost blinding, but I couldn't look away.Cheesy? Maybe. But magical nonetheless. The extra effort to make those billboards shimmer got my attention. God being the Creator of the Universe is the original designer of 'shimmer' and He has it in spades. He chose to dazzle the bedraggled women, he didn't have to, but He did, giving them a taste of the dazzle that was yet to come. The dreamy angel simply told them "He is Risen!"

Today, Christians around the world will answer that revolutionary proclamation with "He is Risen indeed!" Some will really believe it, having experienced the extravagant dazzling of God in a sickness healed, a relationship mended, or a crime pardoned.

"Holy magic!" said Luci Shaw to a room full of attentive Christian artists. "Is that theologically correct?" she asked, half joking. Nothing could be more theologically correct, I think.

Happy Easter.